This book offers an in-depth analysis of Janelle Monáe¿s Dirty Computer, an Afrofuturist project that appeared simultaneously as a concept album and a visual album or ¿emotion picture¿ in spring 2018. In the previous decade, Janelle Monáe has developed into a global media personality who effortlessly unites speculative world-building with social and political activism. Across the intersecting album and film that together make up Dirty Computer, Monáe brings together the science-fictional themes that informed her previous work, resulting in a powerfully focused artistic and political statement. While the music on the album can be enjoyed as an accessible collection of pop tracks, the accompanying film, music