African-derived religious traditions like Santería and Vodou have long been a site of political, cultural and social resistance in the Caribbean. Through his focus on the body as the juncture between the physical and spiritual planes, Humphrey's analysis of a number of Caribbean novels and plays foregrounds the complex nature of women's negotiation of religious, social and political life as participants in these marginalized religious communities. Examining works from authors such as Cuban playwright Eugenio Hernández Espinosa (1936-), Haitian novelists Kettly Mars (1958-) and Marie Chauvet (1916-1973), and Cuban-Puerto Rican writer Mayra Montero (1952-), he demonstrates the manner in which the worldviews offered by Santería and Vodou permit the divisions within and between concepts such as gender, sexuality, womanhood, space and