"Mel Ramos. The definitive catalogue raisonné of original prints" is a complete documentation of all printed works on paper reproduced in color. Richly illustrated, the publication includes two essays by art historians and curators Claire Breukel and Jeanette Zwingenberger, who analyze Ramos' lifelong artistic engagement with the female nude. The catalog is an invaluable resource for researchers, collectors, and aficionados alike. From a very early stage in his artistic career, Ramos has incorporated printed editions into his oeuvre. While the earliest of these were still in an abstract expressionistic manner, the artist really started engaging with the medium when he began working in his characteristic Pop Art style in the mid 1960s. Against the