This volume presents a new approach to Spanish Baroque drama, inspired by Foucauldian discourse archeology, whose rare fusion of meticulous philology and ambitious theory will be exciting and fruitful both for specialists of Spanish literature and for anyone invested in the history of European thought. Detailed readings are dedicated to some of the most prominent plays by Lope de Vega and Calderón de la Barca, both autos sacramentales ( El viaje del alma ; El divino Orfeo ; La lepra de Constantino ) and comedias ( El castigo sin venganza ; El príncipe constante ; El médico de su honra ). The "archeological" perspective cast on