Within the work of both Jacques Derrida and Walter Benjamin there is a buried theatricality, a theatre to-come. And in the last fifteen years there has been a growing awareness of this theatricality. To date, though, there has not been a published stage play about either Derrida or Benjamin Cue Derrida| Benjamin, a volume that brings together two tragi-comic plays which mirror each other in a host of ways ¿ above all, in the way that the central philosophical figure is displaced, or not quite where or when we would expect to find them. In Derridäs case, it is Oxford in 1968; in Benjamin¿s case, it