This book responds to the lack of Asian representation in creative cities literature. It aims to use the creative cities paradigm as part of a wider process involving first, a rapid de-industrialisation in Asia that has left a void for new development models, resulting in a popular uptake of cultural economies in Asian cities; and second, the congruence and conflicts of traditional and modern cultural values leading to a necessary re- interpretation and re-imagination of cities as places for cultural production and cultural consumption. Focusing on the ¿Asian century¿, it seeks to recognise and highlight the rapid rise of these cities and how they have stepped