This book presents a detailed analysis of what it means to be absorbed in playing music. Based on interviews with one of the world¿s leading classical ensembles, ¿The Danish String Quartet¿ (DSQ), it debunks the myth that experts cannot reflect while performing, but also shows that intense absorption is not something that can be achieved through will, intention, prediction or planning ¿ it remains something individuals have to be receptive to. Based in the phenomenological tradition of Husserl and Merleau-Ponty as well as of Dan Zahavi and Shaun Gallagher, it lays out the conditions and essential structures of musical absorption. Employing the lived experience of the