Philosophers have long been preoccupied with Antigone, but never before has a philosopher had the audacity to throw fidelity to the wind and re-write one of the most classic plays in the history of theatre. This lack of fidelity is, of course, precisely the point: not only is this a fascinating new play in its own right, it is a political work calling into question our ideas of reverence to the canon, fidelity to the text and the meaning of 'faithfulness'. A brilliantly funny, moving and political play for those who are interested in reading and watching Antigone anew.